(Above photo credit: L Harry Mattison, C Hilton Als/Ali Smith, R Arizona State University)
Join The New Yorker‘s Hilton Als as he continues his residency exploring the ways poets and poetry reflect contemporary American life.
He’ll be joined by award-winning poet Carolyn Forché, author of What You Have Heard Is True, a new memoir of her life of witness and resistance around the world, and Native American writer Natalie Diaz, who’s written When My Brother Was an Aztec and the upcoming Postcolonial Love Poem.
Co-presented by the Academy of American Poets.
Carolyn Forché’s books of poetry are Blue Hour, The Angel of History, The Country Between Us and Gathering the Tribes. In 2013, Forché received the Academy of American Poets Fellowship given for distinguished poetic achievement. In 2017, she became one of the first two poets to receive the Windham-Campbell Prize. She is a University Professor at Georgetown University. What You Have Heard is True: A Memoir of Witness and Resistance is Forché’s first prose book. Forché lives in Maryland with her husband, the photographer Harry Mattison.
Natalie Diaz was born and raised in the Fort Mojave Indian Village in Needles, California, on the banks of the Colorado River. She is Mojave and an enrolled member of the Gila River Indian Tribe. Her first poetry collection, When My Brother Was an Aztec, was published by Copper Canyon Press, and her second book, Postcolonial Love Poem, will be published by Graywolf Press in March 2020. She is a 2018 MacArthur Fellow, as well as a Lannan Literary Fellow and a Native Arts Council Foundation Artist Fellow. She was awarded the Holmes National Poetry Prize and a Hodder Fellowship. She is a member of the Board of Trustees for the United States Artists, where she is an alumni of the Ford Fellowship. Diaz is the Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry at Arizona State University.
Hilton Als began contributing to The New Yorker in 1989, writing pieces for Talk of the Town. He became a staff writer in 1994, a theater critic in 2002 and chief theater critic in 2013. He has received a Guggenheim Fellowship for Creative Writing, a George Jean Nathan Award for Dramatic Criticism, the American Academy’s Berlin Prize and the Pulitzer Prize for Criticism for his work at The New Yorker in 2017. He is the author of the critically acclaimed White Girls, a finalist for the National Book Critics Circle Award and the winner of the Lambda Literary Award in 2014, and a Professor at Columbia University’s Writing Program. Als lives in New York City.